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  • GD4YA closing down

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    N
    Thats a bummer, thankie for the heads up, can confirm also got it.
  • RIP Lenzman

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    aymatA
    Not sure how many of you are aware of Lenzman but he was a top tier dnb producer who sadly passed away a few days ago. He was a bit of a titan, sort of in that mythical realm of producers and all it takes is typing Lenzman on any of your social feeds to understand why. He's released on dozens of highly regarded dnb labels and his discography is outstanding, every release is quality with zero filler. He also founded his own label, The North Quarter, which is also one of my favorite dnb labels because the quality of releases is beautifully curated and always on a different level. I'm mentioning him for several reasons. He was one of my favorite dnb producers and a lot of how I think about structure in a tune and creating a vibe is influenced by his music. I lose track of how many incredible tunes he's made over the years but if I could recommend two of my all time favorite releases hes put out, they would be Looking At Stars and The Golden Age EP. Worth picking up because they are fantastic and even over a decade after their release, I still listen to them regularly. For anyone thats interested in his approach to production, check out this video that was released today on Sample Genie: Also, he shares some valuable insight at the beginning of the tutorial, something I absolutely agree with and practice myself, which is his approach to curating sketches. In his words: *"If you make a basic sketch and select your best work from those sketches at a later time, you're eliminating a lot of pressure from yourself, because you're not investing a great deal of time just to get an idea down. To me, it's all about getting ideas down quickly and leaving them be, so you can detach yourself. Getting rid of pressure and trying to create a carefree environment in the studio is really where it's at. *People put a lot of pressure on themselves when they're writing music, or doing art in general, and whatever you can do to eliminate that is great. It's also a way of being efficient with your time. Say a whole track takes you about 10 hours to finish, whereas a sketch could be done in about an hour, maybe less. You could write 10 ideas in about the same amount of time as finishing one track. I'd much rather have 10 ideas for tracks where I can select the best ones than invest 10 hours of my time and have one tune that might not be the best, idea-wise, at least."   I also want to share of a few of his tracks below. Even if they may not be your vibe, I think just listening to them will give you an impression of just what an incredible producer he was. 
  • Overcoming Writer's Block and Unlocking Creativity

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    aymatA
    Pixies are my favorite band so these two videos were a nice surprise on my feed today. Been thinking a lot about creativity and process recently and couldnt come at a better time. Definitely worth checking out:
  • Just a quick catch up!

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    aymatA
    Hi everyone, Sorry for the radio silence recently! I'm coming back online after a rough week with vertigo. Some context, I've had vertigo for years and it usually comes and goes within a day but I've never had it this bad which is a little concerning but at the moment I'm feeling a lot better. Still not 100% though so I'm going to see a specialist just to make sure its nothing serious. Regardless, I'm back at it and looking forward to starting sessions again.   Apart from that, I'm currently working on a few other things in the background for the site which I plan to release later at the end of the month. I'm really looking forward to sharing that with you guys. Anyhow, hope youre all doing well and cant wait to catch up soon! - J
  • Session #3 Notes!

    Session - John
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    Hi Joel, Sorry to hear that you're still struggling! Wishing you a strong recovery I appreciate your thoughts on my arrangement. I think I subconsciously focus on the tension genuinely just because I find transitions very fun and rewarding to create. Thank you. I did get a chance to rewatch the Fountain and thoroughly enjoyed it. Still trying to make sense of it now! I adored the colour grading and found the whole movie sooo aesthetically pleasing. Definitely considering using that 'finish it' quote; simple and short and will carry some impact. Was definitely a good movie for me since it carried the same 'mind-fuckery' present in 2001 a space odyssey. I like the soundtrack too. I'm looking forward to the artwork!
  • Laszlow - Emergency Landing EP (LF001)

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    C
    Redeemed a code!! @Val I love this!! Those metallic transients are gorgeous and it reminds me a lot of Vitallic's stuff with those filter sweep swooshing effects at the end
  • Next Session

    Session - Felipe
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    aymatA
    Forgot to mention, those are pretty basic videos, I'm pretty sure you know all that stuff already. I'll see if I can find a few more that go more into chord progressions / melody. If not, I'll make a new one for you- J
  • Welcome to Latent : Forms

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    I
    FYI.  I had to reset my password and the email link did go to spam, but tbh.  I didn't see this till now and hadn't set aymat.org to no spam.  Keep up the good work Admin! -SP
  • Track Notes!

    Session - Felipe
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    aymatA
    @​numaphlex Bro if someone asked me to create a real chord progression on the fly I wouldn't know where to start. I know basics, if that, but you really don't need much. I can show you some tricks I use to help me but believe me, its not complicated at all for what we're doing. I was trying to find a few tutorials I made for a friend to help him get started, but theyre not very detailed: https://drive.google.com/file/d/1ALv7FQd9r8vP1hvASCp8YjmHpTdelpzO/view?usp=drive_link https://drive.google.com/file/d/1xWWfYhrfwWrsI-61nzG-86aWZQS86VAX/view?usp=drive_link Probably not that useful, but I'll see if I can find better ones and we can talk more about it in the next meeting. Talk soon!
  • Bassmaker by In The Mix

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    aymatA
  • 25 Years of Ghost Recordings

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    Yo!  thanks for sending this.
  • Laszlow Emergency Landing EP LF001

    Session - Val
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    L
    I had already forgotten about the bandcamp account lol! It's more than OK. As I said, I don't mind not being credited. In fact, I've had different content of mine stolen (not music) that now has more than millions views on YouTube and other places as well Hey, ex GF who's into techno liked the track! I'm going to Italy in less than two weeks. Hope the sessions with the others turn out as good or better than mine!
  • Catching up!

    Session - John
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    @​aymat No need to apologise, I'm happy to hear that!  I tried finalising the mix of some songs but realised I still didn't like some of them. So I did a little side project where I made a track every day to hopefully inspire myself. I've now got a batch of songs I'm pretty much fully happy with, but I just need to finish them. A lot of the ones I already showed you have stuck around, but some of the older ones have been replaced. I can book a session soon, sure. My sleep schedule is bonkers because I'm dealing with so much stress in my personal life right now so hopefully I can find one that works so I'm not tired out of my mind like last time.  Wishing you a lot of luck with the website release! It's always looked so neat and been pretty intuitive to use. Excited about the artwork too!
  • Quick catch up!

    Session - Felipe
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    aymatA
    @​numaphlex yes my man, lets get this next release out! Btw, just had a chance to listen to the youtube links you shared, theres some jems in there. I'm vibing hard on that DJ Paypal You Got Me joint, thats fucking NIIICCEE... also that Khadija Al Hanafi YYOOUU track, fantastic Man, after we get the EP released, we should work on something together in this style. I'm not familiar with it the way I am with other genres but would love to take a stab at it. Love the vibe.
  • Setting up Bandcamp with multiple aliases

    Session - Val
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    L
    Hi Aymat, great, thanks. This is the YouTube. Honestly though, I wouldn't even link it since you're already linking the Bandcamp and the label anyway. But you know better than me! So here's the link
  • Session #2 Notes!

    Session - Felipe
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    HW#1 Done, just sent you the stems. ASAP in the morning i'll be digging the drive! Irmão(Brother) it just feels right. I truly hope i'm "adding" as in "somando" in portuguese. bringing value.
  • Interview

    Session - Val
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    aymatA
    [quote data-userid="4" data-postid="133"] I didn't even like music when I was a kid to be honest. Growing up, I discovered some very early hands-up tracks and I figured I'd try to understand how they were made. I've always been a very creative person, not only in music, but in many fields. I like to create and share; I usually have lots of ideas. In any case, I found an old disc called "Rave Mission Vol. I" that my brother had in his room. I quickly fell in love and was extremely fascinated with early 90s hard trance, acid and so on and so forth. Since then, I have been "dealing" with music for twenty years now. It was very boring at first because it was very hard for me, somebody with zero musical backgrounds, to understand how to make a proper track. Little by little, I learnt many things, from theory to the technical side of things. Looking back at everything I've made, I am quite proud of myself. I have had several aliases and names all around the web. I used to try to force myself to release in the past, but that never worked. Right now, whenever I feel like I have some inspiration, a burst of energy or an idea, I just make the core of the track (usually in less than a day or two). The rest is just hard work making sure it sounds acceptable. When I'm finished, I try not to go back to it and simply upload to You Tube or whatever project/website. This EP is quite different because of how Joel has been structuring things. It's definitely more professional and I consider myself no more than a hobbyist, so it's a little bit scary. Having weekly talks with Joel was not only inspiring bu also helpful. Working on your own is obviously different and each one has their own process. However, when you have another pair of ears, and in this case quite experienced ears, you'll feel things starting to fall into place. You are more motivated. Not pressured, mind you; it simply felt as if I was with a friend in my bedroom and we were hanging out while working. So, sharing, which is always a positive point. More than a shift, a realisation that what I had been doing in the past was actually the "right way". I agree with most concepts that Joel explained but I could never put them into words. He is quite smart when it comes to this, and he helped me realise a few key things about my own approach. I believe that the sessions might be of incredible value to people that may feel lost or wandering around without a clear goal. Talking with Joel made me believe even more that making music should be a fun process. I think this is the main takeaway. Sure, it sounds simple, laughable even. However, not many people actually realise what this means. When the process is fun and you put feel into it, the rest of the track will follow along, as if the track had a soul of its own. It's very hard to explain and it's been refreshing talking with him about it. Do not discard this aspect of music: while the technical side, arrangement, sounds and so on are extremely important, they all come from the same foundations. To whoever is reading this, well, first of all thanks from me and Latent Forms. Secondly, if you are starting out as a producer, your tracks may be ugly, unfun, uninteresting: but those are the ones that make you learn for the next ones. Starting new tracks without finishing them is not a great habit. If you have fun while creating something, that piece of art will reflect that. My future-self is very unpredictable, maybe I might release some techno, maybe some ambient, who knows. I try to go with the flow, and many aspects of my life influence my creativity and mood! Hope the answers are fine. About the pictures, here's one of me when I was a kid. Pretty rad. The other one is pretty old and it's just my eyes with eyeliners or whatever that's called applied on them.. I try to remain anonymous, you know, no socials, no surnames, nothing. I don't really care about privacy: nowadays, every device is listening or stealing shit, but I try to avoid socials or sharing too much! Choose whatever you feel like  OJOS.png [/quote] This is perfect. Thank you so much Val! I'll start working on this asap and I'll send you a link once its ready just to get a final approval from you. Have a great weekend brotha!
  • Session #6 Notes!

    Session - Val
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    aymatA
    @​samuraitracks  Yes absolute you can use the image for the release! Don't worry too much about the promotional part, what you just posted is exactly the right approach. Sharing it with people you know is the perfect way to build an organic following. So literally its just doing that and overtime it compounds. What you dont want to do is just upload and hope for the best, that NEVER works. So you definitely have the right approach already and thats great!
  • Recreating Burial

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    N
    took a peak, super handy, saved at watch later, focusing/rushing on that side b track the drums "muting" might add to what's missing from my attempt, i didn't even showed you the other tracks, there's one i got the "ice ice baby" from Vanilla Ice, TO COLD, TO COLD.
  • 134mix MASTER

    Session - Val
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    aymatA
    @samuraitrack Val, I'm working on the cover art and want to know what you'd like to have displayed as your producer name and then what you would like to name the EP. Let me know when you have a minute, thanks! - J